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Matru Ki Bijlee Ka Mandola is a romantic comedy film produced by Vishal Bharadwaj along with Fox Star Studios. Besides co-producing, Bharadwaj has also directed, co-scripted and scored the music for the film. Wikipedia
Release date: June 21, 2013 (initial release)
Genres: Comedy film, Drama
 
 
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Arya Babbar
Arya Babbar   

Matru Ki Bijlee Ka Mandola

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Matru Ki Bijlee Ka Mandola

Theatrical Release Poster
Directed by Vishal Bhardwaj
Produced by Vishal Bhardwaj
Fox Star Studios
Written by Vishal Bhardwaj
Abhishek Chaubey
Starring Pankaj Kapur
Imran Khan
Anushka Sharma
Arya Babbar
Shabana Azmi
Music by Vishal Bhardwaj
Cinematography Kartik Vijay
Studio Vishal Bhardwaj Pictures Pvt Ltd
Fox Star Studios
Release date(s)
  • January 11, 2013
Country India
Language Hindi
Budget 40 crore[1]
Matru Ki Bijlee Ka Mandola [2]is a romantic comedy film produced by Vishal Bharadwaj along with Fox Star Studios. Besides co-producing, Bharadwaj has also directed, co-scripted and scored the music for the film. The film starred Pankaj Kapur, Imran Khan and Anushka Sharma in the titular roles, while Arya Babbar and Shabana Azmi played supporting roles.
The film was released worldwide on 11 January, 2013.

Contents

Plot

Set in the rustic surroundings of a village in Haryana, the film is a comedy-drama about Harry Mandola (Pankaj Kapur), a wealthy industrialist who loves his drink, his daughter Bijlee (Anushka Sharma) and the unusual bond they both share with Harry’s man friday, Matru (Imran Khan). Matru studies LLB in Delhi University but does not get a job upon graduation and returns to his village to take up his family profession of serving the Mandola family. Also, he loves Bijlee. Bijlee later goes to Oxford University to study and falls in love with Baadal (Arya Babbar), the son of a powerful politician, Chaudhari Devi (Shabana Azmi), and much to her father's delight, Bijlee is all set to marry Baadal. This alliance which is far from being a simple union of two young people becomes the seed for a story that brings twists and turns in the lives of Matru, Bijlee and Mandola.

Cast

Production

Casting

Ajay Devgan was Vishal Bhardwaj's first choice to play the male lead in Matru Ki Bijli Ka Mandola who later decided to drop out of the project. The reason remained unclear with sources claiming that Devgan had been lured by the money Viacom 18 Motion Pictures offered him for Ashwini Dhir's project. Shahid Kapoor was later approached by Bhardwaj. Imran Khan was then approached and was officially confirmed for the male lead role.[4]

Filming

The film is set to release on 11 January 2013 and presented by TABCAB.[5]

Trailers & Release

The first trailer of the film was released in October 2012 on YouTube which created a lot of buzz due to a bold act by Anushka Sharma. About her character in the film, Anushka says, “I play a strong headed, outspoken girl in the film. My look highlights the bold approach of the character.” The actress however seemed more appreciative of Imran’s look. She quoted "Imran looks hot". One other thing which caught the attention of people was the pink buffalo, "Gulabi Bhains". In the movie, Anushka Sharma will be sporting a tattoo on her lower waist which reads "Dekho Magar Pyaar Se", which was unveiled in a press conference on December 4, 2012. The Censor Board of India gave the film 'A' (Adult) certificate which director Vishal Bhardwaj refused.[6] Therefore The Film was rechecked and was given U/A Certificate by the Censor Board of India.

Soundtrack

Matru Ki Bijlee Ka Mandola
Soundtrack album by Vishal Bhardwaj
Label Sony Music India
Producer Hitesh Sonik, Clinton Cerejo
Music is by Vishal Bhardwaj with lyrics by Gulzar,the music is on Sony Music. The title song is by Sukhwinder Singh and Ranjit Barot. The title song was released as a single track on 30 November,2012. Another single track "Oye Boy Charlie" by Rekha Bhardwaj, Mohit Chauhan and Shankar Mahadevan was released on 12 December, 2012. The full album released on 19th December 2012 on Saavn.com. Musicperk.com rated the album 8/10 quoting "Well-worth a listen". [7]
No. Title Singer(s) Length
1. "Matru Ki Bijlee Ka Mandola"   Sukhwinder Singh, Ranjit Barot 3:52
2. "Oye Boy Charlie"   Rekha Bhardwaj, Mohit Chauhan, Shankar Mahadevan 5:44
3. "Khamakha [8]"   Vishal Bhardwaj, Prem Dehati 5:59
4. "Lootnewale"   Sukhwinder Singh, Master Saleem 4:06
5. "Shara-Rara-Ra"   Prem Dehati 1:29
6. "Badal Uthiya"   Rekha Bhardwaj 3:18
7. "Chaar Dina Ki"   Pankaj Kapur, Imran Khan, Prem Dehati 2:05
8. "Chor Police"   Pankaj Kapur 0:58
9. "Nomvula"   African Umoja 1:40
10. "Badal Uthiya (Reprise)"   Prem Dehati 3:18
11. "Lootnewale (Reprise)"   Sukhwinder Singh 1:59

Critical reception

Professional reviews
Review Scores
Source Rating
Rediff.com 4/5 stars
Anupama Chopra 2.5/5 stars
Wassupbollywood.com 2.5/5 stars
Indicine.com 4.5/5 stars
ibnlive.com 4/5 stars
dailybhaskar.com 3/5 stars
dagger indicates that the given rating is an average rating of all reviews provided by the source
Roma Heer & Gautam Batra of Wassupbollywood.com gave 2.5/5 stars saying Matru Ki Bijlee Ka Mandola is a completely boring & itchy drama. It has nothing exciting despite of Pankaj Kapur’s performance. Watch it only if you are a die hard fan of Pankaj Kapur. [9] Raja Sen for Rediff.com has given 4/5 stars and says Matru Ki Bijlee Ka Mandola has enough substance to warrant repeated viewings. [10] Indicine rated the film 2.5/5 saying "Matru Ki Bijlee Ka Mondala" is Bhardwaj’s most commercial film to date. It isn’t his best work, far from it. But the film has his moments, the north Indian audience will understand and enjoy it a little more. Pankaj Kapoor’s flawless performance itself is worth the price of your ticket. [11] Also Anupama Chopra rated the movie a 2.5/5. She said "Parts of the film soar but many are saggy and ultimately I was just underwhelmed" [12]
Vivek Kaul at First_Post_(India) praised the movie, calling it the new Jaane Bhi Do Yaaron. [13]

Box Office

Matru Ki Bijlee Ka Mandola opened below the mark where business at multiplexes is little better than single screens.[14]It collected INR6.16 crore (US$1.12 million) on its opening day.[15]

References

External links

 

REVIEW
Movie: Matru Ki Bijlee Ka Mandola

Cast: Imran Khan, Anushka Sharma, Pankaj Kapur, Shabana Azmi

Direction: Vishal Bhardwaj

Rating:


Macbeth and Maoism don't normally make for a cinematic cocktail, but with Vishal Bhardwaj you can never tell. Vishal's is a mindspace where nothing ever unfolds as it would seem. He played out the surprise quotient in Kaminey, Omkara and Maqbool. He does it again with his new film, teasingly packaged as a rom-com.

Matru Ki Bijlee Ka Mandola is a satire that uses a Shakespearean whiff and shades of Red politics to make a caustic comment beneath its catchy, mouthful of a title. If comedy mixed with romance has become a Bollywood staple to ensure box-office kill, Vishal uses the formula to add layers to what starts off as a deceptively simple tale.

A lot has been said about the uber-cool Imran Khan's rustic Haryanvi turn. You could have a few hiccups when he tries out the Jatt accent, but the guy admirably moulds himself into what is surely the best role to have come his way yet.

Matru's Bijlee, Anushka Sharma, does a better job though, when it comes to getting into the skin of character. May be, Anushka is getting into a comfort zone playing these bubbly feisty types film after film. Vishal's latest merely gives her scope to add some depth to her set Bollywood image.

The killer acts, though, come from the veterans. This is Pankaj Kapur's film, no doubt. As Harry Mandola, millionaire with a dual personality, Pankaj flaunts versatile abundance. Whatever little screen space is left is hogged by Shabana Azmi, Hindi cinema's most accomplished actor right now, despite restricted footage as a ruthless politician.

Mandola and Shabana's Chaudhri Devi have a familiar agenda at hand. They want to grab acres of farmland in their remote hometown for a Special Economic Zone. The farmers are naturally up in arms. The black comedy about the screenplay (Vishal and Abhishek Chaubey) lies in Mandola's eccentric persona. The alcoholic tycoon becomes a caring soul when drunk, leading a revolution against himself in that state. When he is sober, he is no better than a beast. The Macbeth metaphor is cleverly woven in thanks to Mandola's visions. He sees Gulabo the bhains at odd hours. It is a witty Jatt twist to Lady Macbeth's bloodied hands.

Vishal uses Matru to make his political point. Without reserving much surprise, he reveals soon enough that the mysterious Mao, who guides the farmers in their agitation, is really Matru, otherwise Mandola's servant and drinking partner.

The build-up is superb, and the narrative leaves ample room for each character to grow on you. The polished tech-specs complement the black comedy, too.

But the film crumbles in the climax, giving you an end that is too filmy for satisfaction. The end is one that bars Vishal's latest from becoming an exceptional effort. For everything else it is worth, this is the first real whopper coming out of Bollywood this year. Go for it. 
 
 
 
 

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