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CONTENT,.,..>>>>Jab Tak Hai Jaan
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The background score and soundtrack is composed by A.R. Rahman while the lyrics are penned by Gulzar. The film released during the six-day Diwali weekend which began on 13 November 2012.[7][8] Jab Tak Hai Jaan received positive to mixed reactions from critics and opened very well at the box office. Various websites have also opined that the film might have drawn inspiration from the Graham Greene novel The End Of The Affair.[9][10][11]
PlotThe film begins with Samar Anand (Shahrukh Khan) a major from the Indian Army, defusing a bomb. After a while, Akira Rai (Anushka Sharma), a Discovery Channel intern, dives in a cold river in Ladakh because of a bet. As soon as she got into the river, she felt so cold that she started drowning and cried for help. Samar saves her and gave his jacket to warm her. Akira, offended by his late reaction, starts yelling at him. After reaching her hotel, she finds out a diary which falls from the jacket's pocket. Curious, she starts reading it.Samar, aged 28, was a struggling immigrant in London, working as a street musician and a seafood seller. He was offered a job to be a part-time waiter in a hotel, which he accepted. One day, he meets Meera (Katrina Kaif) in her engagement party taking place at his hotel. Meera believed that giving up something she loves is the only way to ask for a favour. In exchange for some English lessons, Samar agreed to teach Meera a Punjabi song. In the process, Samar fell in love with Meera. Samar helped Meera get out of her shell & also in resolving her issues with her mother which made Meera reciprocate his feelings. On the day when Meera was going to tell her father about their relationship, Samar is hit by a car and goes unconscious. Meera starts praying to God to save Samar and makes a vow to never meet him again. Soon, Samar makes a speedy recovery. Samar comes to know about the vow and in anger, tells her to go away and leaves London, giving all his money to his roommate. Samar challenges God to keep him alive while he will risk his life everyday because he believes his death is the only way to make Meera lose her faith in the deity who stole his love. He goes to India and gets a job as an army officer posted in Kashmir. As Akira finishes reading the diary, she requests her boss to make a documentary about the bomb disposal squad of the Indian Army, and is granted permission. She approaches Samar and his colleagues for help and soon gets acquainted with them. She soon starts showing romantic feelings towards Samar, though he refuses reciprocation due to his past. Akira makes the film successfully and departs for London, earning her praise from her boss but to launch it, she needs Samar to come to London. After extensively persuading an overly hesitant Samar to come with her, he again gets hit by a car and is diagnosed with Retrograde amnesia, remembering only the events before his former accident. Akira meets Meera to help her try and recover Samar's memory, but she is hesitant as Meera is happy with her own family. Later, it is revealed that Meera never married her fiancé as she loved Samar too much. Meera pretends to be Samar's wife to recover his memory and Samar is told that he is the owner of a big restaurant. During this time, Akira realizes that Major Samar is only a fragment of young Samar who was a jubilant social man while today's is a lonely bitter individual. Later, he comes across a bomb and diffuses it, which results in his memory returning and realising that Meera has been lying to him. Samar gives Meera a condition, either come along with him or he will keep on risking his life until he is dead. Samar departs for Kashmir where he continues defusing bombs. During a conversation with Akira, Meera realizes that her beliefs and prayers subjected Samar to a fate worse than death. Meera, realising her mistake, travels to Kashmir where they reunite, while Akira is shown addressing an audience in London, stating how Samar will be defusing his last bomb in India because there is a time for love, and the time for Samar and Meera's love is now. Cast
ProductionDevelopmentIn June 2011, Yash Raj Films released a statement announcing a new directorial venture by Yash Chopra which would coincide with the 50th anniversary of his career in Bollywood. The producers also announced that the film would release on the Diwali 2012 weekend.[19]He also stated that the film was untitled at that time, similar to his previous project Veer-Zaara which was named on the day of its submission to the Central Board of Film Certification.[20] The producers had considered a variety of options for the title but were reportedly not satisfied with any of them. In September 2012, it was officially announced that the title of the movie was Jab Tak Hai Jaan. The title seeming to have been inspired from a song of a similar name from the 1975 hit film Sholay.[21] FilmingInitially, the film's principal photography was expected to commence in November 2011 but had to be delayed since Khan wanted to take a break after his two releases in 2011, Ra.One and Don 2.[22] Principal photography officially began on 9 January 2012 at Yash Raj Studios in Mumbai, where a significant portion of the film was also shot.[5][23]After the schedule in India, the crew began a 35 day filming schedule in London beginning on 22 February 2012. The film was shot under the working title of Production 45.[24][25] Khan arrived in London on 21 February 2012 and completed filming his appearance on 26 March 2012.[18][26] During filming, photos of the actors on the sets were leaked on the Internet, inciting a camera ban by the producers and an increase in the amount of security for the film's production.[27] A number of locations throughout the city featured in the film, including the Borough Market, Jubilee Walk, Great Conservatory, Palace of Westminster, Westminster Bridge, Trafalgar Square, Hungerford Bridge and Golden Jubilee Bridges, the O2 Arena, the Tower Bridge and Canary Wharf. A dance sequence was filmed beside the law faculty of King's College London in Somerset House.[28] A car crash scene was filmed at Shepherd's Bush by closing down four streets in the area.[26] The schedule was completed on 27 March 2012 at an indoor location in East London.[29] The romantic scenes of the film were directed by Chopra's son Aditya Chopra to give the romance a more contemporary feel.[30] The Ishq Shava song was shot with the leading duo and freestyle dancers in an underground club and on board a boat on the River Thames, London.[31] The climax of the film, initially planned by Chopra to be shot in the mountains of Kashmir, was relocated to Ladakh. This was apparently a suggestion of Khan whose movie Dil Se.. had been shot in the area many years earlier. However, portions of the film were later filmed in three different cities of Kashmir—Srinagar, Pahalgam and Gulmarg.[32] Before his death, Yash Chopra wanted to add additional scenes of the Swiss Alps in the title song Jab Tak Hai Jaan. However, the scheduled shoot was cancelled after his death.[33][34][35] Aditya Chopra wanted to keep the film as it was because he felt that doing otherwise would "tamper" Yash Chopra's vision. Shooting officially ended on 27 October 2012. MarketingA teaser trailer was released along with the theatrical release of Ek Tha Tiger as well as through the firm's official YouTube channel on 15 August 2012.[36] The 1:30 minute clip showed glimpses of Yash Chopra's successful yet acclaimed directorial ventures and then highlighted his upcoming film. The trailer incorporated the prelude of the song Challa as the background music. Yet again, the film remained untitled as "A Yash Chopra Romance." The teaser crossed over one million views in less than three days.[37]The main theatrical trailer of nearly 2:30 minutes featuring the film's title was released on 20 September 2012 through Yash Raj Films' official YouTube channel.[38] It received a million views on the first day and 30,000 likes within a week, surpassing the record held by The Twilight Saga: Breaking Dawn – Part 2, making it the first film trailer in the world to achieve this number in that span of time.[39] After the success of the trailer, Yash Raj Films relied on releasing videos of songs as further promotional material on YouTube and Bollywood Hungama. Challa, Saans, Jiya Re, Heer and Ishq Shava were all extremely well received by the audience. The marketing of the film also involved public appearances by Katrina, Shahrukh and Anushka, as well as a Kaun Banega Crorepati episode dedicated to the film.[40] A premiere of Jab Tak Hai Jaan was held on 12 November 2012, a day before its worldwide release, in honor of Yash Chopra.[41] The film was cross-promoted on the Discovery Channel's Facebook page and Twitter account as part of the launch of its new Twitter handle @discoveryin. #AkirasDiscovery trended nationally for over 20 hours on 3 November 2012. The makers of Jab Tak Hai Jaan relied heavily on social networking sites to create public awareness for their project.[42] ReleaseJab Tak Hai Jaan released on 600-650 screens in overseas markets.[43] The estimate for the number of release screens in India is around 2,600. Half of those were single-screen theaters according to Yash Raj Films.[43][44][45] In Pakistan there was a delay in certification and the film released on 16 November 2012 instead of Diwali day.ControversyTwo weeks before the release of Jab Tak Hai Jaan, Ajay Devgn sent an intimation notice to Yash Raj Films at the Competition Commission of India. The notice accused Yash Raj Films of monopolistic business practices and stated that they used "their dominant position in the Bollywood film market" to secure many high quality single-screens for their release.[46] Yash Raj Films responded by saying that they were "shocked" by Devgn's motives. The studio dismissed Devgn's claim that high quality single-screens were unavailable by pointing out that they had only booked 1,500 single-screens for Jab Tak Hai Jaan out of the 10,500 available in India.[44] After the statement made by Yash Raj Films, Ajay Devgn responded by saying he only managed to book 600 single-screens for Son of Sardaar and would take legal action if not allotted more. He accused Yash Raj Films of signing tie-in agreements for Ek Tha Tiger with exhibitors that made it compulsory for them to show Jab Tak Hai Jaan on Diwali and keep it in cinemas for at least two weeks thereafter.[47] A week before the release of Jab Tak Hai Jaan and Son of Sardaar, the commission dismissed Devgn's claim. In an interview a commission spokesperson said, "We considered the plea application. We have not found any merit in the case as there is no case of abuse of dominant position. There is no violation."[48] After his notice was rejected, Devgn appealed to the Appellate Tribunal against Yash Raj Films.[49][50][51] The tribunal refused Devgn's request to nullify agreements made with single-screen exhibitors for the release of Jab Tak Hai Jaan. Both films released on 13 November 2012 with the number of single-screens they managed to secure.[52]Critical receptionIndia
Shubhra Gupta of The Indian Express awarded the film 2.5 out of 5 remarking "watch this one for Shah Rukh, who can still do the dimpled boy wonder and the older, mature lover with a wry smile and wounded wink and sexy nudge."[62] Sukanya Verma of Rediff described the film as an "an elegant, harmless entertainer for most part" and praised the visuals, acting and music. However, she criticized the screenplay and deemed that the film could have been snappier. She gave it 2.5 stars out of 5.[63] OverseasThe film received a positive to mixed reaction overseas. Mark Olsen of the Los Angeles Times gave it 4 out of 5 stars and wrote, "The film has a freshness that would never lead one to think it was directed by an 80-year-old while at the same time it has a sureness of tone, a certainty about itself even at its most audacious, that comes from the hand of a seasoned master." He remarked, ""Jab Tak Hai Jaan" serves as a fitting tribute to the career of Chopra."[64] Lisa Tsering of The Hollywood Reporter wrote, "Director-producer Yash Chopra's film -- his final project before he died -- delivers not only the romance and human touch, but also reflects a modern sensibility."[65] Nicolas Rapold of The New York Times wrote, "Even though the film drags, the magic of Bollywood is that this story's muddle of twists only clarifies the urgency behind the undying desires of all concerned parties."[66] Priya Joshi of Digital Spy gave it 3 out of 5 stars and commented, "the film is invested with a healthy dose of Shah Rukh, the very heart and 'saans' of Yash Chopra and the message which he lived and breathed through his films: that love is eternal."[67] Mazhar Farooqui of Gulfnews.com wrote, "Despite its inherent flaws, JTHJ comes across as a beguiling romantic film that takes you on a roller coaster ride of high emotions set amidst picture postcard locales but more than anyone the movie belongs to Chopra. In his swan song, the celebrated director once again proved why his legacy will be hard to match."[68] Simon Foster of sbs.com.au gave the film 3 out of 5 stars and labelled it as "a grand cinematic work boasting all the pros and cons of the genre." He thought that the film was a fitting swansong for Chopra.[69] Conversely, Piyasree Dasgupta of The First Post wrote "You have seen everything Jab Tak Hai Jaan has many times before, just in other films. And probably with far better music than AR Rahman threw into this one".[70]Soundtrack
Main article: Jab Tak Hai Jaan (soundtrack)
The music and the background score for the film is composed by A.R. Rahman, who teamed up with Yash Chopra for the first time. The soundtrack features nine tracks with eight song lyrics penned by Gulzar and the title poem written by Aditya Chopra. The audio was released on YRF Music. It received positive critical reception along with overwhelmingly positive user reviews upon release.Box officeDomesticJab Tak Hai Jaan had a bumper opening of around 95-100% occupancy at multiplexes and was also strong at single-screens across India.[71] It collected around 12.50 crore (US$2.28 million) on its opening day despite Diwali Festival Puja.[72] The film showed growth of 50% and collected around 19.54 crore (US$3.56 million) on its second day.[73] It netted 44.84 crore (US$8.16 million) during its first three days.[74] The film collected around 12.50 crore (US$2.28 million) nett on its fourth day.[75] The film sustained very well and collected around 73.68 crore (US$13.41 million) in its extended six day weekend.[76] The collections on Monday showed a big drop and netted 4.81 crore (US$0.88 million) thus taking the total nett collections to 78 crore (US$14.2 million) in its first week of release.[77][78] It continued its successful run at the box office after its first week and netted 91 crore (US$16.56 million) in ten days.[3]OverseasJab Tak Hai Jaan had a good opening at overseas market where it had collected $1.3 million on its first day and $3.50 million in three days.[79][80] After its successful opening, the film hold well in international markets and has collected $7.58 million in 6 days.[81] In its first week,it netted excellent collection of around $8 million from all international markets.[82]ReferencesJAB TAK HAI JAANYash Raj Films’ Jab Tak Hai Jaan is a love triangle. It is the story of Samar Anand, an Indian who lives in London and manages to lead an average life. He shares a house with a Pakistani friend, Zain (Shaarib Hashmi), who finds it difficult to get a job. But the golden-hearted man that Samar is, he helps Zain financially. In fact, it is in Samar’s nature to spread joy and happiness all around. He meets and falls in love with Meera, an Indian girl who also lives in London with her father (Anupam Kher). Meera’s mother (Neetu Singh) had left her father and eloped with Aslam (Rishi Kapoor), her lover. Meera is so fond of her father that she can’t dream of hurting him. Meera’s father fixes her engagement to her friend, Roger (…).Meera has an equation with God whereby she always does barter deals with Jesus Christ. If she asks God for a favour, she does so by taking a vow that she’d do something in return if God granted her wish. Scared of hurting her father, she makes Samar vow alongwith her, in the church, to not fall in love with one another. But soon, Meera finds that she, too, has fallen in love with him, after Samar makes her meet her estranged mother after a gap of nine years. Before Meera can tell her dad about her love for Samar, he meets with a near-fatal accident. Meera takes this accident as a punishment of God to Samar for Meera having broken her vow made to God. She prays for his life and, in return, vows never to marry Samar. His life is, in fact, saved. And Meera, in keeping with her promise to God, walks out of Samar’s life after telling him about her vow. Samar is dejected and depressed. He challenges God for having snatched away his beloved from him. Meera asks Samar to leave London for her sake, which Samar does. He joins the army in keeping with the wishes of his family members and soon, becomes well-known for diffusing bombs. But he is a loner as he is unable to forget Meera. Years later, another girl, Akira (Anushka Sharma) enters Samar’s life. She is a rookie documentary filmmaker who has come to make a documentary on the soldiers. Akira is just the opposite of Samar. She is full of life, is not at all emotional and doesn’t think twice before breaking up from her boyfriend. She represents the modern generation. In her two-week stint with Samar and his men, she falls madly in love with Samar whose past love story she is aware of. Samar, of course, doesn’t reciprocate her love although he realises that she is a nice girl. Akira returns to London where she works. Samar is asked by Akira to come to London for just a day as otherwise, her documentary film would not get selected. At first, Samar is reluctant because he does not want to go through the trauma of his breakup with Meera in London. But he obliges as he realises that it is a question of Akira’s future whose passion he admires. As fate would have it, Samar meets with another accident in London. Although his life is saved, he suffers from retrograde amnesia. He seems to have forgotten the entire period between his first accident and the recent accident. That means, he doesn’t remember a thing about his stint with the Indian army. He also does not recognise Akira while saving whom he had met with the accident. All he remembers is that he is married to Meera. De. Khan (Sarika), the neurologist attending on him, asks Akira to get in touch with Meera, which she does. Meera is brought back into Samar’s life so that he noves faster towards recovery. Meera has to pretenf to be Samar’s wife. But Meera is scared about her promise to God. What happens thereafter? Does Meera help Samar in his recovery even at the cost of inviting God’s wrath? Does Samar ever regain his lost memory? If so, how? And if so, who has helped whom – is it Meera who has helped Samar come close to Akira, or is it Akira who has unwittingly got Meera and Samar close to one another? Was Meera married to Roger? Who ultimately unites with whom? Or does Samar die? Aditya Chopra’s story is outstanding, with plenty of twists and turns. The two love stories – of Samar with Meera, and of Akira with Samar – are wonderful and completely different from each other. The film’s screenplay, penned by Aditya Chopra and Devika Bhagat – is masterfully written and keeps the audience interest alive right from the word ‘go’ till the very end. The best part of the drama, especially in the second half after Samar has a partial loss of memory, is that the viewers are clueless about whether Meera is aiding Akira or vice versa. And when that point becomes clear, the audience is unaware about whether Samar will meet the girl or die. The angle of Meera getting into barter deals with God is so true to life and has been wonderfully used in the film. The emotional quotient in the drama is just right. While the strong-hearted will have a lump in their throats at a couple of points in the drama, the weak-hearted will not be able to control their tears on at least five occasions. There are some extraordinary scenes which will remain etched in the mind long after one has seen the film. For instance, the dance scene in which Samar kisses Meera on the railway platform; the scene in which Meera kneels down on the road when Samar meets with an accident and starts praying to God, promising Him that she would forget him if He saved his life; the occasions when Samar asks Akira not to repeat the mistake he had committed in love, especially when he tells her that one last time; the little but loaded scenes involving Samar’s Pakistani friend; the scene in which Akira tells Samar that she has hopelessly fallen in love with him; the scene in which Samar loses his memory partially; the scene of the bomb scare on the London railway platform and what happens before it… the list is long, very long. In fact, every scene of Samar with Meera as also with Akira is quite memorable. The dance of Meera in the club is mind-blowing and absolutely mesmerising. Aditya Chopra’s dialogues are just too fantastic. Every word has been used to effect and it could easily be said that the film could pick up all the awards for the dialogues. Shah Rukh Khan lives the role of Samar Anand. Whether as the young man madly in love with Meera or the loner armyman or the man who starts discovering life again or as the man with a partial loss of memory, Shah Rukh is awesome. Definitley, an award-winning performance by the star. He looks very handsome and his charisma is supremely effective. Katrina Kaif deserves kudos for a job wonderfully done. Whether it is her scenes in conversation with God or her inhibitedness before she finally opens up or whether when she surrenders before God or when she re-enters Samar’s life, Katrina is so totally immersed into her character that it would seem, she was born to play Meera in this film. Katrina looks drop-dead gorgeous and her sexy costumes are to die for. Anushka Sharma is also first-rate. She plays the new generation girl with an attitude that is unmatched. She makes her character so endearing that the audience can’t help falling in love with her. Anushka has also looked very hep and pretty in her very trendy casual clothes. All in all, the three lead players are so outstanding that after a while, one forgets the actors playing the characters and views them only as the characters. Anupam Kher is effective. Neetu Singh and Rishi Kapoor leave lasting impressions in short special appearances. Sarika is lovely as the neurologist. Shaarib Hashmi does an excellent job as Zain. Amarinder Sodhi (as Capt. Kamal Singh), Gireesh Sahdev (as Capt. Jagdeep Deewan), Varun Thajur (in the role of Lt. Hari Krishnan), Manoj Bakshi (as Mr. Kapoor), Jay Conroy (as Raghav), Andrew Bicknell (as Frank), Jasmine Jardot (in the role of Maria), Ameet Channa (as Amit), Lauren Ingram (as Charlotte) and the rest of the actors lend formidable support. Yash Chopra’s direction is terrific. He has made the film so beautifully that it looks like poetry on celluloid. Every scene is beautifully executed and handled with such maturity that the film has turned out to be a landmark film. Easily, a film which merits every single award for its mature and seasoned direction. A.R. Rahman’s music is wonderful. The songs may not have become as popular as they should’ve become but it’s only a matter of time before they top the popularity charts. The ‘Chhalla’ song is a super-hit number and will soon take the nation by storm. The other songs – ‘Saans’, ‘Jiya re’, ‘Ishq shavaa’, and ‘Heer’ – are also delightful numbers. Gulzar’s lyrics are brilliant. Vaibhavi Merchant’s choreography is superb. A.R. Rahman’s background music is just too good! Anil Mehta’s cinematography is world-class. Whether it is capturing the beautiful foreign and Indian locales or the actors or their emotions, Anil Mehta comes out with flying colours all through. He has shot the film so beautifully that it looks like a painting on celluloid. Namrata Rao’s editing is sharp. Although the film is long, with a running time of nearly three hours, it moves at a fair pace so that the initial complaint from a section of the audience about it being slow and boring in parts will vanish in the days to come. On the whole, Jab Tak Hai Jaan is poetry on celluloid. It is a movie marvel. It is a piece of cinematic history. It is a blockbuster… sorry, a super blockbuster. It will have a long and meritorious run in the multiplexes and cinemas. 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 Name : Jab Tak Hai Jaan (PDVD) (2012) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Releaser Info : viveko2 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Releasing Date : 13 November 2012 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Genre : Drama, Romance | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Size : 268 MB | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Starcast : | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Description :
A young musician falls in love with a NRI who wanted to marry any
British person, not a typical brown Indian. But she falls in love with
that young musician, but this love story ends with a breakup. Then that
man, fed up with life with vast emotion joins Indian army bomb squad,
where he flirts with death everyday. A young discovery channel
journalist approaches his team to cover bomb squad story but falls in
love with him. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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KATRINA KAIF ADULT MOVIE CLICK HERE>> BOOM (2003)
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